Taylor swift talks about folklore
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El martes, los fans tuvieron su primer vistazo a los créditos de composición para el álbum, y como era de esperar, la mayoría de las canciones incluyen Swift co-escritura como un dúo con su colaborador Jack Antonoff. Entre las canciones escritas por los dos están "Question...?", "Bejeweled" y "Mastermind".
También está "Vigilante Shit", que Swift escribió completamente sola, y "Snow on the Beach", que cuenta con créditos de la propia Lana Del Rey. Además, la ya mencionada "Sweet Nothing", que no cuenta con Antonoff y sólo da crédito a Bowery y Swift.
Entre las canciones en las que Alwyn (bueno, Bowery) ha escrito están "Exile" y "Betty" de Folklore, y "Champagne Problems", "Coney Island" y "Evermore" de Evermore. Alwyn también coprodujo seis canciones de Folklore.
"Decidimos hacerlo así para que la gente, ante todo, escuchara la música antes de analizar el hecho de que lo hicimos juntos", dijo en el programa. "Lo hicimos bajo el nombre de William Bowery... Muy elegante. Suena como una especie de personaje de Agatha Christie que debería llevar un monóculo con un gran bigote".
Taylor swift talks about folklore en línea
On July 23, 2020, Swift announced that her eighth studio album, Folklore, would be released at midnight and revealed its track listing, where "Seven" ranked seventh. In the handbook preceding the release, Swift showed imagery of several songs, explaining that "Seven" was the "tree swing in the forest of my childhood," with "hushed tones of let's run away and never do it." [3] Lyric videos for each song on the album were released on Swift's YouTube channel; "Seven" garnered over 10.7 million views as of August 2021.[4] The song was also included on Folklore: The Escapism Chapter and Folklore: The Saltbox House Chapter, Swift's streaming compilations released on August 21[5] and August 27, 2020[6] respectively.
Rebecca Karpen of PopMatters described the song as "heartbreaking" and found its narrative "harrowing", with a young Swift not understanding her friend's abuse, stating that it made her "cry in the middle of 4th Avenue in broad daylight."[8] Jon Caramanica of The New York Times described the song as "intriguing" with the "ethereally brilliant" vocals and experimentation with tonal variation. [20] Rolling Stone's (magazine) review by Rob Sheffield approved of Swift's departure from her traditional autobiographical storytelling, favoring in "letting these characters tell their own stories". [9] Sheffield ranked it as the 19th best song in Swift's catalog at the time (out of 173 in total), praising the "mystery that gets more confusing, she (sic) tries to live with that."[21] Katherine Rodgers of The Quietus said that Swift's "fluttery voice struggled to master several finicky layers of intricate melody."[22]
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On July 23, 2020, Swift revealed the track listing for Folklore, with "The 1" taking the top spot, and released the album on July 24, 2020. "The 1" was sent to German contemporary hit radio stations as a single on October 9, 2020.[2] The album was released on October 9, 2020.
"The" 1 has been described as a slow, danceable track, with Vox's Allegra Frank calling it a "grey sky ride through [Swift's] day to day life."[3] The song is driven by a "dripping" piano, supported by a bouncy arrangement of percussion, electronic accents and orchestrations. Lyrically, written from the perspective of a friend, "The 1" sees the narrator describing their optimistic mental space, positively recalling a past love, confessing they wish they had been soul mates, with an underlying sense of humor juxtaposed with sadness.[4][3][3][5][1] The song is written in the key of C major and has a fast tempo of 140 beats per minute.[6] Swift's vocal range in the song extends from G3 to C5.[7]
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Spin: "Swift se refiere constantemente a las grandes implicaciones de su título, pero nunca ha sonado más libre que aquí, una villana autoproclamada mordiendo la fruta prohibida del cotilleo y dejando que sus jugos corran por su cuello".
Rolling Stone: 4 estrellas de 5 -- "[S]e siente como una epifanía: libre y sin prisas, gobernada por ningún concepto o perspectiva, representa a Swift en su momento más liberado, disfrutando un poco de la libertad que ganó para su cohorte".
Rolling Stone: 4 estrellas sobre 5 -- "[S]e siente como una epifanía: libre y sin prisas, gobernada por ningún concepto o perspectiva, representa a Swift en su momento más liberado, disfrutando un poco de la libertad que ganó para su cohorte".
Rolling Stone: 4 estrellas de 5 -- "[S]e siente como una epifanía: libre y sin prisas, gobernada por ningún concepto o perspectiva, representa a Swift en su momento más liberado, disfrutando un poco de la libertad que ganó para su cohorte".
