Canciones folkloricas de ecuador
Ecuador Top 40 - August 7, 2017
In Ecuador, the rhythms and popular instrumental and sung musical genres labeled as traditional or national have an enormous variety and richness of sound, however the lyrics of the songs for the most part contain discursive messages that convey sexist arguments, social, political, cultural and gender domination, with patriarchal and commercial overtones, conducive to maintaining power relations that by controlling the minds of people, also control their actions.
What are the main traditional rhythms of Ecuador?
The so-called salon music of the 19th century, such as waltz, polka, cuadrilla, among others, engulfed the native sonorities, while others merged, resulting in musical genres of singular rhythmic variety, little known outside the country, such as pasillo, sanjuanito, yaraví, albazo, capishca, tonada, yumbo, ...
What music do you listen to in Ecuador?
In Ecuador, the most listened music genres are: reggaeton, ballad and finally bachata. Of 89.3% of Ecuadorians who listen to urban music, 21.2% prefer to listen to national artists, 10.2% to foreigners and more than 50% are indifferent.
What is folklore in Ecuador?
The Ecuadorian folklore is distinguished in each region of our country, its customs, the way of celebrating the festivities, the costumes, its music, its religious beliefs is what distinguishes each corner of our country.
Music of the Andes || Otavalo - Ecuador
Until 2023 seventeen countries -eight from the Americas, seven from Europe, one from Asia and one from Oceania- have triumphed in the folk genre of the Festival with a total of 61 songs.[n 6] Chile is the country with the most victories, 24, representing 39.34% of the total -between 1960 and 1967, only Chilean authors and composers competed in this category-.[17] Five countries -all of them from Latin America- have triumphed in the folk genre of the Festival with a total of 54 songs.
Until 2023 five countries -all from Spanish America- have triumphed in the folk genre of the Festival with a total of 54 songs. Chile is the country with the most victories, 44, representing 81.48% of the total - between 1961 and 2000, only Chilean authors and composers competed in this category-.[18]
NAN" BALLET NACIONAL FOLCLÓRICO -LOJA, ECUADOR
El movimiento de la Nueva Canción Chilena representa un importante episodio en el debate en torno al folclore y la canción política durante el período de la Unidad Popular. A pesar de la existencia de numerosos estudios, en su mayoría preocupados por comprender los orígenes e implicaciones del movimiento en Chile, pocos trabajos han intentado superar la perspectiva nacional de análisis, para comprender las interacciones musicales y políticas en el contexto internacional. A través del estudio de tres momentos y tres espacios musicales diferentes, este artículo busca comprender el papel de los músicos chilenos en la difusión de ideas sobre folclore y política en el contexto de la Guerra Fría, centrándose en los elementos que confirman esta experiencia original de la diplomacia musical durante los años del proceso revolucionario en Chile.
13Si todas estas actividades presentan en sí un aspecto musical, el conjunto Manguaré ambicionó un objetivo diplomático más importante, el cual explican a propósito de la elección del nombre del conjunto:
Pan Flute - Carlos Carty - Andean Relaxing Music
The tango is originally from the Rio de la Plata (Argentina and Uruguay); it was born between the fusion of European immigrants and descendants of African slaves and rioplatense natives. The rhythm is made of the fusion of the payada, the milonga campera pampeana, the candombe, and later of the Cuban habanera.
The cuarteto cordobés was a very rejected rhythm, since it was a genre that was played by poor people. Later, little by little, this genre grew and as it grew, it was more and more accepted by the people of Córdoba and later recognized and listened to all over the country.
Huayno is an Andean musical genre that is also practiced in other countries with different variations. The most traditional is the Peruvian one. In Bolivia the style is more folkloric and natural, as it is traditionally performed in traditional festivals and family events in rural areas.
The rhythms of these peoples were simple songs that tried to imitate the sound of animals, such as birdsong. They used wooden sticks that they beat against the ground. The objective of these Indians was the same as all, religious rituals to the gods.
